Young Artists Bring Classical Heritage Alive at ‘Swaranjali’ in Gurugram

Gurugram: The timeless charm of Hindustani classical music and Kathak dance came alive in the city as Pt. Bhimsen Joshi Sangeet Academy, in collaboration with Swar Kala Sangam, presented its annual cultural showcase “Swaranjali” on April 19. The event was conceived as a tribute to the legendary Bharat Ratna Bhimsen Joshi, celebrating his enduring legacy and the spirit of India’s classical performing arts.

Held in an intimate yet vibrant setting, Swaranjali unfolded as an immersive journey through sur, taal, and bhav, showcasing the depth and promise of the academy’s student performers. From soulful vocal recitals to intricate Kathak compositions, the evening highlighted the discipline, dedication and quiet confidence nurtured at the institution.

Founded by Mukta Monish Mehta and led by Director Monish Mehta, the academy has emerged as a guiding force for young aspirants. The programme drew inspiration from the rich traditions of the Kirana Gharana, and the evening’s significance was elevated further with the presence of Guest of Honour Amjad Ali Khan. Distinguished attendees such as Dr. Aseem R. Srivastava and Farid Khan added to the occasion.

A Stage Filled with Grace and Growing Artistry

The showcase opened with a serene Shiv Vandana performed by adult Kathak dancers, establishing an atmosphere of devotion. The youngest dancers, barely five to seven years old, charmed the hall with “Om Namah Shivay” and “Suno Suno Sanvre ki Bansi Baji”, their innocence blending effortlessly with rhythm.

Students aged 7–10 years presented more mature compositions such as Kanaha Tose Hriday Na Jodungi, Kavit Paran, Teentaal Madhyalay and Trivat, demonstrating the academy’s strong emphasis on technique and traditional form.

The vocal section unfolded with an adult group performance of Saawre Aye Jaiyo, followed by the youngest singers (4–6 years) presenting Oh Palanhare. Their soft, unpretentious delivery set a tender tone before the stage moved into the complexity of ragas.

Performers aged 5–9 years showcased classical depth through ragas Desh, Bihag, Kedar and Khamaj, while students in the 8–12 years bracket impressed with Raag Bageshri. The senior-most vocalists (12+ and 15+) delivered mature renditions of Raag Bhimpalasi, Patdeep, and Tilak Kamod.

A standout moment of the evening was the soulful solo Nirmohiya Harjayiya by 15-year-old Chaitanya Sharma, whose emotive delivery drew long applause.

Kathak That Spoke Through Taal

The second half saw powerful Kathak compositions by adult performers, including Nigahein Milane Ko Ji Chahta Hai, Dhamaar Taal (Technical), Thare Rahiyo, and a graceful Thumri. The finale, Murshid Khele Holi, brought vibrancy and colour to the stage, leaving the audience enthralled.

Semi-classical pieces like Kajri and Dadra added a gentle closing touch, blending folk sensitivity with classical foundations.

A Living Legacy

What made Swaranjali stand apart was its inclusiveness—featuring performers from age four to adults—reflecting the academy’s belief that classical arts are nurtured not just through teaching but through cultural immersion and community.

Each note, each mudra, each rhythmic pattern carried an emotional resonance that went beyond performance, embodying the values of discipline, devotion, and artistic growth.

As the evening concluded, Swaranjali emerged not just as an annual showcase but as a living tribute to tradition—honouring the past, celebrating the present, and inspiring a new generation to carry forward the enduring beauty of Indian classical arts.